Amsterdam acrylic varnish gloss

Size

250ml

1000ml

Linseed oil, also known as flaxseed oil or flax oil, is a colourless to yellowish oil obtained from the dried, ripened seeds of the flax plant. The oil is obtained by pressing, sometimes followed by solvent extraction. Linseed oil is a drying oil, meaning it can polymerize into a solid form.
 
 
#oilpaints #oilpainting #linseedoil #berkeley

Berkeley linseed oil 100ml

Title

Default Title

The two primary uses of turpentine in industry are as a solvent and as a source of materials for organic synthesis. As a solvent, turpentine is used for thinning oil-based paints, for producing varnishes, and as a raw material for the chemical industry.
 
 
#turpentine #berkeley #oil #oilpainting #refinedturpentine #spirits

Berkeley Turpentine Oil 100ml

ACRYLIC GLOSS
 
Safe and non-toxic
 
Provides clear coating for protection against UV radiation, humidity and dirt. For canvas, paper, woods and etc. Also ideal for decoupage, scrapbooking and more.

Focus Acrylic gloss 250ml

Focus acrylic modeling paste is an acrylic medium with added solid to make it pasty.
 
It dries stiff and opaque white and can be used for texture and collage.
 
Can create embossed stencil texture.
 
Stiff painting surface is recommended.

Focus Modeling paste 250ml

ACRYLIC OUTDOOR SEALER
 
Safe and non-toxic
 
Provides clear coating for maximum protection of your outdoor projects against abrasion. For metals, rocks, woods and etc.
 
Multisurface adhesive.

Focus Outdoor sealer 250ml

Gesso is an important art supply to get your canvas ready for painting. Gesso is very similar to white acrylic paint, only thinner. It dries hard, making the surface more stiff. Gesso prepares (or "primes") the surface for painting, making the surface slightly textured and ready to accept acrylic paint. Without gesso, the paint would soak into the weave of the canvas.

Focus White Gesso 250ml

Gamblin Gamvar Varnish

125ml

500ml

Color

Gloss

Satin

Matte

125ml / Gloss

250ml / Gloss

500ml / Gloss

125ml / Satin

250ml / Satin

500ml / Satin

125ml / Matte

250ml / Matte

500ml / Matte

Crackle Paste is a thick, opaque material that cracks as it dries. The size and extent of the cracking pattern depends on the thickness of application, and environmental conditions during drying and other factors. Dries to an opaque, matte finish, with an absorbent surface suitable for acrylic paints and mediums.

Golden Crackle Paste

237ml

437ml

GAC 400  Stiffens natural fibers and fabrics and is useful for stiffening unprimed canvas or sculpting and shaping fabric. Fibers saturated with GAC 400 will dry to a hard, stiff film.GOLDEN Fluid Mediums provide infinite control with acrylic colors. Mediums control transparency, viscosity, surface sheen and more. GAC (short for Golden Artist Colors) Specialty Acrylic Polymers are based on 100% acrylic polymer emulsions. The GACs are useful as mediums or modifiers of acrylic paints. GACs can be used to extend acrylic colors, to regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other GOLDEN Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation.The consistency of the GAC polymers is more fluid and thin than other GOLDEN Mediums, so they will reduce the thickness of most GOLDEN Acrylic Paints. GOLDEN Fluid Acrylics are slightly thicker than the GACs, but will exhibit less change in viscosity with the addition of a GAC polymer.Each GAC is a unique polymer with unique benefits and applications. Refer to the product descriptions to find the proper medium for a particular applications.

Golden GAC 400 Fabric Stiffener

473ml

946ml

Gesso can be thought of as the bridge between the support and the paint. GOLDEN Gesso is designed to penetrate supports and provide a surface to which paint can adhere. Proper preparation with GOLDEN Gesso increases the life span of artwork. Our Gesso is formulated to be flexible and is highly pigmented for greater opacity. PRODUCT DESCRIPTION GOLDEN Gesso is a flexible liquid ground that seals, protects, and gives “tooth” to substrates, which promotes paint adhesion. It is formulated to accept a wide variety of media on many commonly used painting surfaces. It comes ready-to-use, but can be mixed with water for thinner applications. When applied in thin layers, GOLDEN Gesso will conform to a variety of textured surfaces. GOLDEN Gesso is available in Black or White, and can be mixed with GOLDEN Acrylics to produce a range of colored grounds.

Golden Gesso Bright White Acrylic Primer

Glass Bead Gel made with genuine glass beads, offers a unique effect similar to condensation on glass – best seen in thin films over a light color to allow the glass beads to be illuminatedDescriptionGels and Mediums range in thickness from watery to paste-like consistencies and allow artists to manipulate their acrylic paint systems. Even though acrylic colors are offered in various different consistencies and finishes, the use of gels and mediums in conjunction with such colors broadens the working properties and expands on the possible results. GOLDEN Gels and Mediums are extremely versatile, and can be used for:Altering ConsistencyAltering SheenGluing/LaminatingIncreasing Film IntegrityTransparencyCost EffectivenessAdding TexturePriming SupportsPaint-Making Binders

Golden Glass Bead Gel

Golden Isolation Coat is a permanent, non-removable layer that physically separates acrylic paintings from varnish. Apply it between the painted surface and varnish — it ensures an even coat of varnish, and it protects the paint if you choose to remove the varnish.

Golden Isolation Coat

Matte Medium is a liquid medium useful for extending color, decreasing gloss and increasing film integrity. It is also used as a nearly clear ground on canvas instead of gesso.

Golden Matte Medium Acrylic

Soft Gels (L-R: Gloss, Semi-Gloss, Matte) are thinner than Heavy Body Colors. Mix with acrylic colors to produce a brilliant glaze. Soft gels can be used as a base for wet blending or as an adhesive for collage.Gel Mediums offer many ways to build texture. We offer five consistencies from our most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colorless paint, as they utilize the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties.

Golden Soft Gel Matte Medium

Grumbacher acrylic gesso is a coating or primer into canvas cloth.
 
Can be applied to multiple porous surfaces, such as canvas, wood, cardboard, plaster, and concrete

Grumbacher acrylic gesso

16fl 473ml SMALL

32fl 964ml BIG

Grumbacher Linseed Oil 74ml
 
 
-Paint binder, Gloss
 
-For Oil painting
 
-Makes paints glossy and fluid
 
-May be added directly to paint

Grumbacher linseed oil 74ml

BRAND NEW and ORIGINAL
 
 
A final varnish and protective coating for dry oil and acrylic paintings. Imparts an even surface.
 
 
Dry Time: With all varnishes, make sure paintings are completely dry. Allow 3 to 5 days for acrylic works and 6 to 12 months for oils. Dry time may very and depends on thickness of paint application as well as environmental humidity.
 
 
Removal: Remove old varnish before re-varnishing a work. Varnishes can be removed with paint thinner or other mild solvents only when varnish is originally applied to completely dried works. When used on wet or semi-dry works, the use of spray varnishes may damage artwork; varnish may not be removable at this point.
 
 
Test: Always test sprays on a scrap surface before using on a final work.
 
 
Application: Always use in a well-ventilated area with the temperature above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions carefully. Not suitable for use by children.
 
 
Set work vertically. Shake can vigorously for 2-3 minutes before each use. Spray at least 18” from artwork. Use a slow, even motion to coat the surface. Start spraying off the canvas and do not use a swinging motion, as the can will get closer to the canvas. Use a deliberate vertical motion: left to right, right to left. Overlap the spray about a half inch on each pass. If needed, place a light behind you, as it will make it easier to see the varnish on the painting. Light coats are best. If varnishing a large work, apply spray varnish half way down and turn the painting 180 degrees, then complete the varnishing. One coat covers. Additional coats may be used if heavier applications are desired. Wait 5 to 7 minutes between coats. Never check if the varnish is dry by touching the painting. Instead, test on the side of the canvas. Turn painting 90 degrees before every coat. Keep away from open flame or heat sources.
 
 
Maintenance: Prevent clogging by cleaning the nozzle before and after use. Spray short spurts of the product for 3 seconds. Then turn the can upside down and spray for a few seconds until no more material sprays.
 
 
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New PACKAGING!! ❤️❤️❤️
 
 
GRUMBACHER SPRAY VARNISH for OIL&amp; ACRYLIC (GLOSS)-

GRUMBACHER SPRAY VARNISH for OIL&ACRYLIC (Gloss)

Brand: Grumbacher
 
✅Final resin based varnish for Acrylic (gloss)
 
✅Final varnish for Oil and Acrylic ( Gloss and matte)
 
✅Damar spray varnish for Oil Painting (Gloss and matte)
 
✅Damar retouch for oil painting (gloss)
 
✅Final fixative for pastel,charcoal and pencil (Gloss and matte)
 
 
 
PLS CHOOSE PROPER VARIATION
 
 
ALL BRAND NEW and ORIGINAL ❤️
 
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A final varnish and protective coating for dry oil and acrylic paintings. Imparts an even surface.
 
 
Dry Time: With all varnishes, make sure paintings are completely dry. Allow 3 to 5 days for acrylic works and 6 to 12 months for oils. Dry time may very and depends on thickness of paint application as well as environmental humidity.
 
 
Removal: Remove old varnish before re-varnishing a work. Varnishes can be removed with paint thinner or other mild solvents only when varnish is originally applied to completely dried works. When used on wet or semi-dry works, the use of spray varnishes may damage artwork; varnish may not be removable at this point.
 
 
Test: Always test sprays on a scrap surface before using on a final work.
 
 
Application: Always use in a well-ventilated area with the temperature above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions carefully. Not suitable for use by children.
 
 
Set work vertically. Shake can vigorously for 2-3 minutes before each use. Spray at least 18” from artwork. Use a slow, even motion to coat the surface. Start spraying off the canvas and do not use a swinging motion, as the can will get closer to the canvas. Use a deliberate vertical motion: left to right, right to left. Overlap the spray about a half inch on each pass. If needed, place a light behind you, as it will make it easier to see the varnish on the painting. Light coats are best. If varnishing a large work, apply spray varnish half way down and turn the painting 180 degrees, then complete the varnishing. One coat covers. Additional coats may be used if heavier applications are desired. Wait 5 to 7 minutes between coats. Never check if the varnish is dry by touching the painting. Instead, test on the side of the canvas. Turn painting 90 degrees before every coat. Keep away from open flame or heat sources.
 
 
Maintenance: Prevent clogging by cleaning the nozzle before and after use. Spray short spurts of the product for 3 seconds. Then turn the can upside down and spray for a few seconds until no more material sprays.

Grumbacher spray varnish for OIL, ACRYLIC, PASTEL, CHARCOAL AND PENCIL

Final resin varnish for ACRYLIC (Gloss)

Final varnish for Oil&Acrylic (Gloss)

Final varnish for Oil&Acrylic (Matte)

Damar for Oil Painting (Gloss)

Damar for Oil Painting (Matte)

Damar retouch for OIL (Gloss)

Final fixative (Gloss)

Final fixative (Matte)

Colourless, waterproof, adhesive and not easy to turn yellow.
 
 
Protext the surface of the pieces&nbsp; effectively and keep the original colour and texture.
 
 
It can be used on pencil, charcoal and pastel drawings.
 
 
#kuelox #fixativespray